Tuesday, January 14, 2020
Compare and contrasts of ââ¬ËThe Soldierââ¬â¢ by Rupert Brooke and ââ¬ËDulce et Decorum estââ¬â¢ Wilfred Owen Essay
Wilfred Owen and Rupert Brooke both share the similar themes within their poems, which are war and death. Although there is unconformity within their views due to their backgrounds and experiences. Brooke was very idealistic, which makes sense when he never actually got to fight in the war as he died shortly before where as Owen went through the genuine experience. Two poems that highlight these two contrasts are ââ¬ËThe Soliderââ¬â¢ and ââ¬ËDulce et Decorum estââ¬â¢. In ââ¬ËThe Soliderââ¬â¢, Rupert Brooke illustrates how a soldier is reflecting on the possible death going away to war may bring. Although from his opinion his death if so was to happen shouldnââ¬â¢t be mourned and his death will be a tribute to his England. When compared to Wilfred Owenââ¬â¢s ââ¬ËDulce et Decorum estââ¬â¢ the views are far from similar. Brooke states dying for your country is honourable where as Owen interprets dying for your country is not all glory and honour and more pain and suffering. Both poets desire different forms to present their poems. ââ¬ËThe Soliderââ¬â¢ is a sonnet which suits Brookes type of poems as he romantises the theme of war ââ¬ËThe Soliderââ¬â¢ is very much as well a love poem to his idealized England. Where as Owen opts for the more simple 8. 8. 11, Owen doesnââ¬â¢t seem to have a solid form as Brookes does. They both share the rhyming pattern of ABABCDCD which allow their poems to flow and create rhythm. The structure ââ¬ËDulce et Decorum estââ¬â¢ can be broken down into three parts, an outsiders description and recollection of events featuring soldiers withdrawing from the frontline, a man within the battle himself, and a addressing to the reader of confrontation to those who share the idealistic view of war. Owens poem creates a build up towards his main point in which he finishes off with ââ¬ËThe Old lie; Dulce et Decorum est Pro Patria moriââ¬â¢. From Owens experiences ââ¬ËDulce et Decorum estââ¬â¢ acts as a warning and a hit of realism to those who are at home. ââ¬ËThe Soliderââ¬â¢ is a much more relaxed peaceful sonnet. Brookes use of natural imagery creates a more calm aspect of war. ââ¬ËDulce et Decorum estââ¬â¢ features intense imagery as the key of Owens poem is to get across a point of the horrendousness of war. Within ââ¬ËThe Soliderââ¬â¢ Brooke recalls the memoirs of a fallen solider whom declares his patiotism to England by declaring that his death shall be the eternal ownership of England, of a small portion of land he has died upon, Brooke doesnââ¬â¢t have a main structure to his poem as his point is connoted though out the whole of the sonnet. This sonnet canbe split into two stanzas, the first stanza refers to the physical part of the solider and the second a more psychological point of view. Within the physical part the words used refer to things that can physically be touch ââ¬Ëboreââ¬â¢ ââ¬Ëshapedââ¬â¢ ââ¬Ëmadeââ¬â¢ in the second is more things you cant touch ââ¬Ëmind ââ¬Ëthoughts ââ¬â¢ ââ¬Ësoundsââ¬â¢ ââ¬Ëdreamsââ¬â¢. Both poets use different types of language to get across their ideas. ââ¬ËDulce et Decorum estââ¬â¢ uses harsh and meaningful language. His uses of metaphors creates deeper impact and imagery ââ¬Ëblood shodââ¬â¢. Owens opening stanza has caracterism of the language about ââ¬Ëfatigueââ¬â¢, they ââ¬Ëlimped onââ¬â¢, ââ¬Ëmarched asleepââ¬â¢ this connotes pitiful language which intends to reveal the reality of war. Alliteration is used to reflect the agonising of the gas victim ââ¬ËAnd watch the white eyes writhing in his faceââ¬â¢. Owen features a shift of register which grabs the readers attention ââ¬ËGas! Gas! Quick, boys!ââ¬â¢ this change of register adds more realism and switches the point of view to a soliders. Rupert Brooke uses personification to the word ââ¬ËEnglandââ¬â¢, ââ¬Ëgives somewhere back the thoughts by England givenââ¬â¢. Brooke uses pure language within his sonnet such as ââ¬Ëgentlenessââ¬â¢ ââ¬Ëheavenââ¬â¢ loveââ¬â¢ ââ¬Ëblestââ¬â¢.
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